{"id":21909,"date":"2023-05-08T11:55:43","date_gmt":"2023-05-08T08:55:43","guid":{"rendered":"https:\/\/lndm.devmerit.com\/taikomosios-dailes-ir-meno-muziejus\/parodos\/masterpieces-of-islamic-miniature-art-calligraphy-and-traditional-chinese-painting\/"},"modified":"2023-05-08T11:55:43","modified_gmt":"2023-05-08T08:55:43","slug":"masterpieces-of-islamic-miniature-art-calligraphy-and-traditional-chinese-painting","status":"publish","type":"paroda","link":"https:\/\/lndm.devmerit.com\/en\/museum-of-applied-arts-and-design\/exhibitions\/masterpieces-of-islamic-miniature-art-calligraphy-and-traditional-chinese-painting\/","title":{"rendered":"Masterpieces of Islamic miniature art, calligraphy and traditional Chinese painting"},"content":{"rendered":"

\"\"On 10 May, the Museum of Applied Art and Design <\/strong>held the opening of two exhibitions from the collections of Ukraine\u2019s The Bohdan and Varvara Khanenko National Museum of Arts. Qalam and Brush<\/em><\/strong> introduces Islamic miniatures and calligraphy works, while Message from the \u2018Ideal World\u2019<\/em><\/strong> brings to Lithuanian viewers masterpieces of traditional Chinese painting. These exhibitions were organised as a continuation of the close cooperation between the Lithuanian National Museum of Art and Ukrainian museums, seeking to highlight the value of cultural heritage that belongs to all of humanity, urging the world to actively protect Ukrainian museums from destruction and looting.<\/p>\n

Fine and delicate oriental brushes<\/strong><\/p>\n

17th century traveller Jean Chardin wrote about the Persian miniature art: \u201cTheir brushes are fine and delicate, their paintings are full of life and shimmering\u2026\u201d The exhibition Qalam and Brush<\/em>\u00a0presents a small-scale yet extremely valuable collection of Islamic miniatures and calligraphy, representing the 13th-19th century art from the Arab world, Persia, Turkey and India. The exhibition in Vilnius presents all the artefacts from the Islamic art collection of The Bohdan and Varvara Khanenko National Museum of Arts, for the first time in over a hundred years of the museum\u2019s history.<\/p>\n

Visitors to Qalam and Brush<\/em> exhibition will be able to not only admire the delicate art of the oriental pen and brush, but also enrich their knowledge of Islamic culture and history. \u201cThere are no substantial collections of Islamic art in Lithuania, so it is rather difficult for us to critically evaluate and understand these works. Keeping that in mind and driven by the wish to present these works to the Lithuanian viewer, the curator of the exhibition Hanna Rudyk dedicated a lot of attention to explaining cultural context, religious tradition, and visual codes,\u201d \u2013 says Skaistis Mikulionis, the chief exhibition curator. \u201cSuch an important exhibition of Islamic art in both Lithuania and Ukraine is an event, the first of its kind in probably thirty years. The artistic and monetary value of the pieces on display was confirmed by a sale fixed at Sotheby\u2019s a week ago when a similar Persian illustration of the Shahnameh sold for almost five million pounds.\u201d<\/p>\n

The exhibition is divided into three parts, the first of which is dedicated to calligraphy and book illumination, the second to book miniatures, and the third to albumen painting. Such a division symbolically mirrors the development of art arising from the practice of studying the Koran, the holy book of Islam. Calligraphy and ornamentation flourished the earliest: the Koran and other religious texts were decorated exclusively with ornaments intended to convey the order and harmony of the universe created by Allah. The 11th century saw the art of illustration flourishing in Islamic book culture. Arab miniature became the first bright flash of the original tradition. The art of book painting reached its apogee in Iran. Five centuries later, painting became an art in itself. As the interest in Islamic art grew, in the 19th century various works flooded the European market. Unfortunately, the demand for \u2018pictures\u2019 encouraged art dealers to mercilessly cut out illustrations from manuscripts as selling a miniature was much more profitable than selling a whole book. The exhibition Qalam and Brush<\/em>\u00a0invites viewers to not only get acquainted with the art of Islamic calligraphy and miniatures, but also to ponder the phenomenon of colonialism.<\/p>\n

Perfecting the world<\/strong><\/p>\n

The exhibition of traditional Chinese painting, Message from the \u2018Ideal World\u2019<\/em>, presents depictions of landscape, animals, humans and deities. In traditional Chinese culture, landscape paintings were valued above all genres. Artists created imaginary realms where all natural and man-made elements interweaved harmoniously. Certain details like buildings and trees were supposed to be highly elaborate while water and sky were depicted as blank spaces, so viewers could imagine their colour and state: stretches of water as calm and translucent or as rough, bulging waves; the sky bright or overcast. The Chinese landscape is supposed to be contemplated fragment by fragment as if slowly moving across the silk or paper surface.<\/p>\n

Chinese painters did not seek to present a direct copy of reality, but rather a picture of an ideal world. \u201cPretentious, ironic, mystical or dictated by the pragmatism of international business \u2013 the messages of Chinese painting are so varied! But whatever the expression, the artists \u2013 and the viewers \u2013 were always sure that all the opposites and contradictions of the world were balanced in the paintings. In ancient China, art was a way to perfect both your personality and the universe as a whole. The artist acted as a medium, showing the eternal harmony between people, nature and spirits,\u201d says curator Marta Logvyn about the exhibition Message from the \u2018Ideal World\u2019<\/em>.<\/p>\n

Explanations of the cultural context prepared by the curator and the educational programme running alongside both exhibitions will help the visitors to read the message from the ideal, constantly perfected world.<\/p>\n

The Bohdan and Varvara Khanenko National Museum of Arts<\/strong><\/p>\n

The Bohdan and Varvara Khanenko National Museum of Arts is home to the most significant national collection of world art in Ukraine. The museum was founded by Bohdan and Varvara Khanenko, prominent Ukrainian collectors, cultural figures and philanthropists of late 19th \u2013 early 20th century. In 1918, Varvara Khanenko donated the rich and multifaceted Khanenko art collection and an opulent villa in the center of Kyiv for the purpose of founding a public museum of world art in Ukraine. The heritage of the Chanenko family remains a valuable core of the museum\u2019s collection to this day.<\/p>\n

The museum collection contains all genres and styles of Chinese painting. One of the museum\u2019s founders, Bohdan Khanenko, bought his first Chinese paintings in May 1914 at the Georges Petit Gallery auction in Paris. In the 1950s, artist Thais Jaspar gifted or sold more than 300 scrolls and albums of Chinese paintings to the museum. Separate fascinating works by 20th-century Chinese artists were acquired in the 1960s.<\/p>\n

More opportunities to explore the collections of Ukrainian museums in Vilnius<\/strong><\/p>\n

The historical and artistic treasures of Ukrainian museums are presented to the Lithuanian public in several departments of the Lithuanian National Museum of Art. In the Radvila Palace Museum of Art, viewers can see the painting exhibition Magnificent Refugees of War<\/em> and the old graphics exhibition From D\u00fcrer to Rembrandt<\/em>, while Vilnius Picture Gallery is currently hosting Old Masters at the Ukrainian Museums<\/em>. This series of impromptu exhibitions, realised in the unfortunate context of the current of war, offers an important cultural, moral and material support for Ukraine.<\/p>\n

The exhibitions Qalam and Brush<\/em>\u00a0and Message from the \u2018Ideal World\u2019<\/em> at the LNMA Museum of Applied Arts and Design (Arsenalo St. 3A, Vilnius) will run from 10 May until 3 September 2023, with a programme of educational events running alongside them.<\/strong><\/p>\n

Organisers: LNMA Museum of Applied Arts and Design and The Bohdan and Varvara Khanenko National Museum of Arts<\/p>\n

The exhibitions were organised by the Lithuanian National Museum of Art and The Bohdan and Varvara Khanenko National Museum of Arts, The Borys Voznyckyi Lviv National Art Gallery and The Odesa Museum of Western and Eastern Art under the patronage of the Minister of Culture of the Republic of Lithuania Simonas Kairys and the Minister of Culture and Information Policy of Ukraine Oleksandr Tkachenko<\/p>\n

Project managers: Dr Ar\u016bnas Gel\u016bnas, Julija Vaganova<\/p>\n

Curators: Marta Logvyn, Skaistis Mikulionis, Dr Hanna Rudyk<\/p>\n

Exhibition architect: Jurgis Dagelis<\/p>\n

Exhibition designer: Sigitas Gu\u017eauskas<\/p>\n

Partners: Embassy of the Republic of Lithuania in Ukraine, Embassy of the Republic of Lithuania in Poland, Embassy of Ukraine in Lithuania, Customs of the Republic of Lithuania, The Lithuanian Armed Forces, The Lithuanian Riflemen\u2019s Union, The Lithuanian Police Force, Department of Culture of Kyiv City State Administration, National Police of Ukraine, Jonas Karolis Chodkevi\u010dius Charity and Support Foundation<\/p>\n

General Sponsor: BTA Vienna Insurance Company<\/p>\n

Sponsors: Charitable Foundation Crown of Dukes of Ostrogi\u0161ki, Heat transfers company, AD REM Group, Chef the Viking<\/p>\n

The Lithuanian National Museum of Art also extends its thanks to Valdas Dovyd\u0117nas, Marija Kozak, Narimantas Savickas, Stanislav Vidtmann, Vadimas \u0160amkovas and the graphic restorers of the LNDM Pranas Gudynas Conservation Centre for their help in preparing the exhibition.<\/p>\n","protected":false},"excerpt":{"rendered":"

On 10 May, the Museum of Applied Art and Design held the opening of two exhibitions from the collections of Ukraine\u2019s The Bohdan and Varvara Khanenko National Museum of Arts. Qalam and Brush introduces Islamic miniatures and calligraphy works, while Message from the \u2018Ideal World\u2019 brings to Lithuanian viewers masterpieces of traditional Chinese painting. These […]<\/p>\n","protected":false},"author":1,"featured_media":21908,"template":"","tags":[],"department":[70],"parodos-zymos":[195],"class_list":["post-21909","paroda","type-paroda","status-publish","has-post-thumbnail","hentry","department-museum-of-applied-arts-and-design","parodos-zymos-paroda"],"acf":[],"yoast_head":"\nMasterpieces of Islamic miniature art, calligraphy and traditional Chinese painting - Lietuvos nacionalinis dail\u0117s muziejus<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Masterpieces of Islamic miniature art, calligraphy and traditional Chinese painting - Lietuvos nacionalinis dail\u0117s muziejus\" \/>\n<meta property=\"og:description\" content=\"On 10 May, the Museum of Applied Art and Design held the opening of two exhibitions from the collections of Ukraine\u2019s The Bohdan and Varvara Khanenko National Museum of Arts. 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