{"id":21921,"date":"2023-05-15T09:58:55","date_gmt":"2023-05-15T06:58:55","guid":{"rendered":"https:\/\/lndm.devmerit.com\/vilniaus-paveikslu-galerija\/parodos\/florentem-kunstkamera-2\/"},"modified":"2023-05-15T09:58:55","modified_gmt":"2023-05-15T06:58:55","slug":"florentem-kunstkamera-2","status":"publish","type":"paroda","link":"https:\/\/lndm.devmerit.com\/en\/vilnius-picture-gallery\/exhibitions\/florentem-kunstkamera-2\/","title":{"rendered":"Florentem. Kunstkamera"},"content":{"rendered":"

Vilnius Picture Gallery of the Lithuanian National Museum of Art holds two exhibitions, <\/span>Florentem <\/span><\/i>and <\/span>Kunstkamera, <\/span><\/i>which reflect human effort to conceive ourselves through our relationship to nature, tracing the trajectory of this changing relationship over the course of centuries together with the role of natural, especially floral motives, in human explorations of the world and one\u2019s quest for creative inspiration.\u00a0\u00a0<\/span>\u00a0<\/span><\/p>\n

Floral language, religion and science\u00a0<\/span><\/b>\u00a0<\/span><\/p>\n

The exhibition <\/span>Florentem <\/span><\/i>(Latin <\/span>florentem<\/span><\/i> means blooming, abundance, prospering) tells the story of relentless effort to know and to immortalize the elements of live nature. Fragile and predictable, yet animated and full of surprises, flora is the eternal source for human imagination, while different plants, especially when in blossom, have found ways into art and literature, assuming with time, a human-gifted power of symbolic language. Depending on context, flower blossoms included into a portrait could hint whether the sitter was a living or a dead person; plants included into the images of the Virgin Mary related to different stages of her life, while a Dutch 17th-century flower arrangement reflected the economic power of a country or a person. Importantly, a still life, reduced to the margins in the hierarchy of the genres, with time became a refuge to another kind of \u2018marginalia\u2019 \u2013 female creators. The floral world, both real and captured on paper or canvas, was one of the few \u2018legitimate\u2019 realms for female self-expression.\u00a0<\/span>\u00a0<\/span><\/p>\n

\u2018We aimed to create an engaging, visually appealing narrative how vegetation gradually inched into and took root in religious and secular canvases to flourish there, and why it was allowed such unrestricted expansion. The theme we pursued allowed us to embrace a large variety of exhibits, which exceed a hundred and a half. Visitors will encounter not only floral 17th-18th\u2013centuries still lifes and saints surrounded by blossoms, but also views of historical Lithuanian gardens, portraits of botanists and examples of their tools, major publications, as well as such \u2018unexpected\u2019 items as a riding stick embroidered in tiny beads or a cupboard door that arrived from the Church of God\u2019s Providence in Daugai. One of the most intriguing items on display is a boudoir that offers a kind of key-hole view into a private creating woman\u2019s space. We hope that the exhibition and its separate elements will appeal to both specialist and public at large,\u2019 expressed her expectations director of Vilnius Picture Gallery Dr Aist\u0117 Bimbiryt\u0117.\u00a0<\/span>\u00a0<\/span><\/p>\n

The exhibition is comprised in five parts, these of botanical science, of the history of gardens and parks, of plants in religious art, of symbolism and language of flowers in secular art and the significance of vegetation in the artistic and scientific female activities in 19th\u2013century Lithuania. Each subtheme is developed through the artwork by Lithuanian and European artists.\u00a0<\/span>\u00a0<\/span><\/p>\n

\"\"<\/a>

The Allegory of Fertility. The illustration from the album amicorum of priest Friedrich Gr\u00fcnenberg Watercolour, pen, ink, 1655\u20131657. The Wroblewski Library of the Lithuanian Academy of Sciences<\/p><\/div>\n

Contemporary cabinet of curiosities: bull\u2019s heart, seventeenth\u2013century drawings, and an electric guitar\u00a0<\/span><\/b>\u00a0<\/span><\/p>\n

Exhibition\u2013installation <\/span>Kunstkamera <\/span><\/i>will transport its visitors to the mysterious world of rarities in art and science. The tradition of creating cabinets of curiosities (<\/span>Kunstkammer <\/span><\/i>in German, meaning collections of strange art, natural objects or other rarities, and a place of keeping such) started in the 15th \u2013 16th centuries. It was at the time, when humans started deciphering the chaos of the world and its laws, that such <\/span>Naturalia <\/span><\/i>and <\/span>Artificialia<\/span><\/i> rooms, filled with objects created by nature and humans, were started to shape. Mostly not sizeable and superficially chaotic, in fact they were arranged following a complex system conceived by their owner, the axis and Creator of that miniature world. Having lived through their gold age, the 16th \u201317th centuries, at some places they lingered a while. For instance, one such in Vilnius existed in the first half of the 19th century. A cabinet of curiosities on Did\u017eioji Street belonged to <\/span>J\u00f3zef Antoni Kossakowski (1772\u20131842), a nobleman, military officer and a collector.\u00a0<\/span>\u00a0\u00a0<\/span>\u00a0<\/span><\/p>\n

The most recent <\/span>Kunstkammer <\/span><\/i>is presented to visitors to Vilnius Picture Gallery. Of natural objects and artefacts, modern and old, the artist Aurelija Maknyt\u0117 has crafted a cabinet of curiosities in the authentic interiors of the Chodkevi\u010diai Palace (<\/span>The Chodkiewicz Palace) to tell the story \u2018of an inevitable and inspiring coexistence of culture and nature, where both are creators.\u2019<\/span>\u00a0<\/span><\/p>\n

The project embracing history, art and biology encapsulates the artist in her complexity. A graduate from Photography and Video Art at Vilnius Academy of Art with plenty of solo exhibitions and participations in group events under her belt, a speaker, and an artist shunning no form of expression, Maknyt\u0117 has always been attracted by the fact of substantiation of seemingly natural homo sapiens\u2019 right to subjugate nature to one\u2019s needs. The phenomenon of curiosities cabinets in a way hints on the same topic.\u00a0<\/span>\u00a0<\/span><\/p>\n

Visitors to Vilnius Picture Gallery will be able to use a schematic map to inspect a bull\u2019s heart, armour pieces from rags, a stone potato, a musical instrument from a dream, and the most ancient item on display <\/span>A Stork with a Human Face on Its Breast<\/span><\/i> from 1655, an allegory of fertility. Just like those ancient ones, Maknyt\u0117\u2019s cabinet combines plenty important architectural elements, furniture pieces, drawers and boxes, and their intimate relationship with exhibits. Part of the exhibits can be touched during tours, for instance, visitors will be able to play the electric guitar manufactured from a two-stemmed pine tree that was growing under electric cables.\u00a0<\/span>\u00a0<\/span><\/p>\n

The exhibition includes artwork by \u017dygimantas Augustinas, Dovil\u0117 Bagdonait\u0117, Tomas Dauk\u0161a, Barbora Did\u017eiokien\u0117, Matas D\u016bda, Antanas Gerlikas, Ieva Grigien\u0117, Friedrich Grunenberg, Donatas Jankauskas \u2013 Duonis, Monika Janulevi\u010di\u016bt\u0117, Juozapas Kamarauskas, Evelina Kerpait\u0117, Aurelija Maknyt\u0117, Mantas Maziliauskas, Petkevi\u010dien\u0117 (name unknown), Vidas Po\u0161kus, Marija Puipait\u0117 and Vytautas Ge\u010das, Kanutas Ruseckas, R\u016bta Spelskyt\u0117, Maria \u0160nipait\u0117, Gedvil\u0117 Tamo\u0161i\u016bnait\u0117, Egl\u0117 Ul\u010dickait\u0117 and works by unknown artists.\u00a0<\/span>\u00a0<\/span><\/p>\n

Exhibitions like fruits of collaboration\u00a0<\/span><\/b>\u00a0<\/span><\/p>\n

Exhibits for the two events have been selected by Dr Aist\u0117 Bimbiryt\u0117, Dalia Tarandait\u0117, Ramun\u0117 Savickait\u0117, Joana Vitkut\u0117 and Aurelija Maknyt\u0117 from a range of Lithuanian and foreign museums and private collections.\u00a0<\/span>\u00a0<\/span><\/p>\n

The exhibition <\/span>Florentem <\/span><\/i>would not have been possible without closer institutional cooperation. The lenders of the exhibition are <\/span>Borys<\/span>\u202fVoznytsky\u202f<\/span>Lviv National Art Gallery, the National Lithuanian Museum of Art, M.K. \u010ciurlionis National Museum of Art, Church Heritage Museum, Samogitian Museum Alka, \u0160iauliai Au\u0161ra Museum, Kretinga Museum, Kaunas Diocese Museum, <\/span>Rund\u0101le Palace\u202fMuseum, <\/span>Rzesz\u00f3w<\/span>\u202fDistrictMuseum, Anyk\u0161\u010diai Arts Centre, Vilnius University Life Sciences Centre, the Wroblewski\u202f<\/span>Library<\/span>\u202fof the Lithuanian Academy of Sciences, Church of God\u2019s Providence in Daugai, Dr Kristina Sabaliauskait\u0117, R\u016bta and Rimvydas Baranauskas.\u00a0<\/span>\u00a0<\/span><\/p>\n

The organizers of <\/span>Florentem <\/span><\/i>greatly appreciate valuable help from their scientific consultant Dr Reda Gri\u0161kait\u0117 and translator Dr Raminta Bumbulyt\u0117.\u00a0<\/span>\u00a0<\/span><\/p>\n

Lenders of unique items<\/span> to<\/span> Kunstkamera<\/span><\/i> exhibition are <\/span>Museum of Vilnius Academy of Art, Kaunas Tadas Ivanauskas Zoology Museum, Vilnius University Geology Museum, <\/span>the Wroblewski\u202f<\/span>Library<\/span>\u202fof the Lithuanian Academy of Sciences and individual collectors.\u00a0<\/span>\u00a0<\/span><\/p>\n

Both exhibitions supported from the Lithuanian Council for Culture project <\/span>In natura veritas <\/span><\/i>will run through 4 January 2024. The exhibitions will be accompanied by a rich programme of events, tours, public lectures and educational activities.\u00a0<\/span>\u00a0<\/span><\/p>\n

Organizer<\/span><\/b>\u202fVilnius Picture Gallery of the Lithuanian National Museum of Art<\/span>\u00a0<\/span><\/p>\n

Project financed by<\/span><\/b>\u202fLithuanian Council for Culture\u00a0<\/span>\u00a0<\/span><\/p>\n

\u202f<\/span>\u00a0<\/span><\/p>\n

Florentem<\/span><\/i><\/b>\u00a0<\/span><\/p>\n

Curators: Dr Aist\u0117 Bimbiryt\u0117, Dalia Tarandait\u0117, Ramun\u0117 Savickait\u0117, Joana Vitkut\u0117<\/span>\u00a0<\/span><\/p>\n

Architekt\u0117 Simona Sigita Paplauskait\u0117<\/span>\u00a0<\/span><\/p>\n

Designer Jon\u0117 Mi\u0161kinyt\u0117<\/span>\u00a0<\/span><\/p>\n

Scientific consultant Dr Reda Gri\u0161kait\u0117<\/span>\u00a0<\/span><\/p>\n

Translator Dr Raminta Bumbulyt\u0117<\/span>\u00a0<\/span><\/p>\n

Partners: <\/span>Borys<\/span>\u202fVoznytsky\u202f<\/span>Lviv National Art Gallery, the National Lithuanian Museum of Art, M.K. \u010ciurlionis National Museum of Art, Church Heritage Museum, Samogitian Museum Alka, \u0160iauliai Au\u0161ra Museum, Kretinga Museum, Kaunas Diocese Museum, <\/span>Rund\u0101le Palace\u202fMuseum, <\/span>Rzesz\u00f3w<\/span>\u202fDistrict Museum, Anyk\u0161\u010diai Arts Centre, Vilnius University Herbarium, Vilnius University Library, the Wroblewski\u202f<\/span>Library<\/span>\u202fof the Lithuanian Academy of Sciences, Church of God\u2019s Providence in Daugai, Dr Kristina Sabaliauskait\u0117, R\u016bta and Rimvydas Baranauskas.\u00a0<\/span>\u00a0<\/span><\/p>\n

Kunstkamera<\/span><\/i><\/b>\u00a0<\/span><\/p>\n

Curator Aurelija Maknyt\u0117<\/span>\u00a0<\/span><\/p>\n

Designer Jon\u0117 Mi\u0161kinyt\u0117<\/span>\u00a0<\/span><\/p>\n

Translator Dr Raminta Bumbulyt\u0117<\/span>\u00a0<\/span><\/p>\n

Partners: <\/span>Museum of Vilnius Academy of Art, Kaunas Tadas Ivanauskas Zoology Museum,<\/span>, Vilnius University Geology Museum, <\/span>the Wroblewski\u202f<\/span>Library<\/span>\u202fof the Lithuanian Academy of Sciences.\u00a0<\/span>\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Vilnius Picture Gallery of the Lithuanian National Museum of Art holds two exhibitions, Florentem and Kunstkamera, which reflect human effort to conceive ourselves through our relationship to nature, tracing the trajectory of this changing relationship over the course of centuries together with the role of natural, especially floral motives, in human explorations of the world […]<\/p>\n","protected":false},"author":1,"featured_media":21922,"template":"","tags":[],"department":[80],"parodos-zymos":[195],"class_list":["post-21921","paroda","type-paroda","status-publish","has-post-thumbnail","hentry","department-vilnius-picture-gallery","parodos-zymos-paroda"],"acf":[],"yoast_head":"\nFlorentem. 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