{"id":23089,"date":"2024-06-13T10:31:38","date_gmt":"2024-06-13T07:31:38","guid":{"rendered":"https:\/\/lndm.devmerit.com\/radvilu-rumu-dailes-muziejus\/parodos\/pakui-hardware-virtual-care\/"},"modified":"2024-06-13T10:31:38","modified_gmt":"2024-06-13T07:31:38","slug":"pakui-hardware-virtual-care","status":"publish","type":"paroda","link":"https:\/\/lndm.devmerit.com\/en\/radvila-palace-museum-of-art\/exhibitions\/pakui-hardware-virtual-care\/","title":{"rendered":"Pakui Hardware. Virtual Care\u00a0"},"content":{"rendered":"

\"\"<\/a>Pakui Hardware\u2019s work considers the movement of capital through bodies, technology, and materials, as well as how it shapes our realities. Over the past few years, their work has often explored questions around contemporary medicine, imagining potential futures where material limitations are transcended by fragmenting, multiplying, and recreating both human and non-human bodies. <\/span>Virtual Care<\/span><\/i> explores another, ever more present, layer of contemporary medicine and digitisation of health: robotic surgery and telemedicine.<\/span>\u00a0<\/span><\/p>\n

The historic hall of Radvila Palace is transformed into an environment that resembles a clinical surgery or hospital room, where human presence, with the exception of the visitors\u2019 own physicality, is replaced by technology. Suspended between the physical and the virtual, the bodily and the digitised, the space is inhabited by transparent thermoformed \u2018<\/span>bodies<\/span>\u2019 abstracted into sculptural biomorphic shapes. Influenced by Lithuanian artist Marija Teres\u0117 Ro\u017eanskait\u0117\u2019s paintings from the 1970s and 80s, the sculptures merge technology, draperies, organic and synthetic materials into abstracted states.<\/span>\u00a0<\/span><\/p>\n

As researcher Jeannette Pols notes, there is no pure \u2018cold\u2019 technology and \u2018warm\u2019 human body \u2013 it is always a subtle and complex interaction between these poles. <\/span>Virtual <\/span><\/i>Care<\/span><\/i> is not seen here as something inherently threatening, but rather as a mesh of human-technology-economy actions and actors. The installation was conceived before the Covid-19 pandemic hit the world with all of its repercussions, when telemedicine was still a niche form of treating the patients. With the pandemic, however, virtual care became the dominant form of getting help from one\u2019s doctor. After the pandemic, the prescient questions that the work raises around health data gathering and exploitation, as well as the limited access in neoliberal health care, remain as urgent as before.\u00a0<\/span>\u00a0<\/span><\/p>\n

Organiser:<\/strong> LNMA Radvila Palace Museum of Art<\/span>\u00a0<\/span><\/p>\n

Architects:<\/strong> Isora x Lozuraityte Studio<\/span>\u00a0<\/span><\/p>\n

Architect-coordinator:<\/strong> Aleksandras Kavaliauskas<\/span>\u00a0<\/span><\/p>\n

Graphic designer:<\/strong> Vytautas Volbekas<\/span>\u00a0<\/span><\/p>\n

Coordinator:<\/strong> Vilt\u0117 Visockait\u0117<\/span>\u00a0<\/span><\/p>\n

Textual editor and translator<\/strong>: Alexandra Bondarev<\/span>\u00a0<\/span><\/p>\n

The artwork was commissioned by the Baltic Centre for Contemporary Art (Gateshead, UK).<\/span>\u00a0<\/span><\/p>\n

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