{"id":24796,"date":"2026-02-13T09:50:56","date_gmt":"2026-02-13T07:50:56","guid":{"rendered":"https:\/\/lndm.devmerit.com\/vilniaus-paveikslu-galerija\/naujienos\/before-opening-up-the-expanse-of-the-legacy-by-slendzinski-the-vilnius-picture-gallery-invites-for-a-rendezvous-with-his-priestess\/"},"modified":"2026-02-13T09:50:56","modified_gmt":"2026-02-13T07:50:56","slug":"before-opening-up-the-expanse-of-the-legacy-by-slendzinski-the-vilnius-picture-gallery-invites-for-a-rendezvous-with-his-priestess","status":"publish","type":"post","link":"https:\/\/lndm.devmerit.com\/en\/vilnius-picture-gallery\/news\/before-opening-up-the-expanse-of-the-legacy-by-slendzinski-the-vilnius-picture-gallery-invites-for-a-rendezvous-with-his-priestess\/","title":{"rendered":"Before opening up the expanse of the legacy by Sle\u0144dzi\u0144ski, the Vilnius Picture Gallery invites for a rendezvous with his Priestess \u00a0"},"content":{"rendered":"<p>The <em>Priestess<\/em> by Wincenty Sle\u0144dzi\u0144ski, currently on its first ever public display in Lithuania at the Vilnius Picture Gallery of the Lithuanian National Museum of Art (LNMA), is still available for viewing until 22nd February as one-painting exhibition.\u00a0 The artwork arrived in Lithuania from Poland thanks to the efforts of the art collectors Dominykas \u0160audys and Regina \u0160emiotait\u0117. A special installation has been designed to showcase this unique piece: the painting, set in a glass wall supported by a concrete foundation and surrounded by a white drapery, seems to float in the feathery cirrus clouds. In this special space, the<em> Priestess<\/em> meets her visitors, who will be offered, this spring, a new exhibition titled <em>With Heart and Eyes: Wincenty Sle\u0144dzi\u0144ski, (1838\u20131909), <\/em>presenting a broader panorama of the artist\u2019s legacy.<\/p>\n<h6>The light of the <em>Priestess<\/em> takes by surprise the seekers of art mysteries<\/h6>\n<div id=\"attachment_67076\" style=\"width: 1034px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/lndm.devmerit.com\/wp-content\/uploads\/2026\/02\/2.-Kolekcininkai-Dominykas-S\u030caudys-ir-Regina-S\u030cemiotaite\u0307.-Gintare\u0307s-Grige\u0307naite\u0307s-LNDM-nuotr-scaled-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-67076\" class=\"wp-image-67076 size-large\" src=\"https:\/\/lndm.devmerit.com\/wp-content\/uploads\/2026\/02\/2.-Kolekcininkai-Dominykas-S\u030caudys-ir-Regina-S\u030cemiotaite\u0307.-Gintare\u0307s-Grige\u0307naite\u0307s-LNDM-nuotr-1024x683-1.jpg\" alt=\"\" width=\"1024\" height=\"683\" \/><\/a><p id=\"caption-attachment-67076\" class=\"wp-caption-text\">Dominykas \u0160audys and Regina \u0160emiotait\u0117. Photo by Gintar\u0117 Grig\u0117nait\u0117<\/p><\/div>\n<p>Both of the collectors, Dominykas \u0160audys, a graduate of archaeology studies, and Regina \u0160emiotait\u0117, who has studied the history of art, are thrilles by the process of discovering art pieces, which, according to \u0160emiotait\u0117, require efforts to find. Over time, the couple\u2019s shared field of interest zeroed in on 19th-century-Lithuanian artwork which is not only scattered the world over, but often also shrouded by mysteries. According to \u0160audys, the emergence of such a piece requires substantial collection of evidence, which involves looking for signatures, technical examination, infra-red photography and X-ray analysis, consultations with the art historians until the artwork\u2019s provenance and authorship are painstaking brought to light.<\/p>\n<p>The encounter with this painting came as a surprise to the collectors. \u201cWe have received a proposal alongside with the images of such a poor quality that is was impossible to distinguish whether it was a genuine work or a good piece of forgery,\u201d tells the story \u0160audys. The process of the acquisition, adds \u0160emiotait\u0117, has been quite stressful and required a lot of patience, making put up with the unknowns for a long stretch of time. The situation was further complicated when the Galeria im. Sle\u0144dzi\u0144skich in Bia\u0142ystok stepped in triggering a price competition of sorts. It took several months to reach the final solution.<\/p>\n<p>When the collectors first saw the shining canvas in Poland, it was in a humble farm building. \u0160emiotait\u0117 recalls that the painting was kept in a shabby, nearly uninhabited place.\u00a0 \u201cWhen we arrived to the priest\u2019s homestead, the painting was kept in what seemed like a shed. Yet even in these poor surroundings it looked so splendid, simply magical. We opened the door and were awestruck by what we saw, and knew on the spot what a great treasure we discovered,\u201d \u0160emiotait\u0117 shares the exciting discovery story.<\/p>\n<h6>The journey of the painting, and the aura of Lithuanian spirit<\/h6>\n<p>Wincenty Sle\u0144dzi\u0144ski painted the\u00a0<em>Priestess<\/em>\u00a0in 1873, in Dresden, Germany. From the artist\u2019s studio, it made for the collection of the counts Kwilecki and was displayed at the Grodziec estate manor in Poland, as attested by the extant inscription on the reverse of the canvas. Later on, the painting passed into the care of the canon of the Grodziec parish, while in the early 1970s, it was acquired by Father Wojciech Krzywa\u0144ski. Around that time, the artist\u2019s son, Ludomir Sle\u0144dzi\u0144ski got interested in the painting. He tried, a couple of times, to acquire the canvas, offering, in exchange, three of his own works, but in vain. The priest safeguarded the <em>Priestess<\/em> for over five decades, and only when he reached a very senior age, did he decide to part with the picture.<\/p>\n<p>\u201cIt was very touching that he pledged a part of the profits to the church and the community, it is heartwarming, when some of the proceeds are put to such a good end,\u201d \u0160audys says.\u00a0<\/p>\n<p>The period of the creation of the painting is also of significance to the collectors, as the artworks Sle\u0144dzi\u0144ski produced in Dresden, are exceptionally rare according to them. Created outside Lithuania, the <em>Priestess <\/em>is, nevertheless, filled with Lithuanian spirit: the owners of the work relate the protagonist of the painting with Birut\u0117, the wife of K\u0119stutis, the Grand Duke of Lithuania. The assumption is derived from the fact that the face of the <em>Priestess<\/em> has a close similarity to the likeness of Birut\u0117 in another work by Sle\u0144dzi\u0144ski, <em>K\u0119stutis Abducting Birut\u0117<\/em>. According to \u0160audys, they pride themselves on the fact of having a painting from such a rare period, related to the spiritual heritage of Lithuania. The powerful emotional impact of the painting emerges in the words of the guides of the Vilnius Picture Gallery, who witness the visitors moved to tears in front of the <em>Priestess<\/em>.<\/p>\n<p>\u201cThe painting captivates by reaching to the very roots of everything Lithuanian, that is why it so easy to identify with this image,\u201d says \u0160emiotait\u0117.<\/p>\n<h6>The painting brought back to its brilliance, and another surprise awaiting the Gallery\u2019s visitors<\/h6>\n<p>The collectors have entrusted the painting to the restorer Linas Luko\u0161evi\u010dius. \u0160audys describes how the removal of the layers of varnish, the one darkened over 150 years, and the new one, applied in the mid-20th century, has revealed details of the painting, a silhouette of a castle and the subtle nuancing of light. Alongside with the painting, the frame designed for this particular work, has also been conserved and restored, the process supervised by the restorer Virginia Murmait\u0117. The condition of the frame was more problematic, as it was disintegrating at some places, calling into question the possibility of bringing it back to life. \u201cDespite of it, the efforts have been successful, and we are very happy for it,\u201d \u0160emiotait\u0117 says.<\/p>\n<p>The <em>Priestess<\/em> is not the first work of art by Sle\u0144dzi\u0144ski acquired by the collectors, but according to \u0160audys, it stands out through its singular significance. \u201cAs the artist\u2019s son recognized this being his father\u2019s finest, we do not feel in a position to contend the opinion\u201d, he says. He is positive that had the work been in the collections of the museum from the mid-19th century, its significance to our culture would have been compared to such famed pieces as <em>The Reaper<\/em> by Kanutas Ruseckas or <em>The Penitent St Mary Magdalene<\/em> by Wladyslaw Niewiarowicz. The collector also mentions that shortly, early this March, they are about to present another newly acquired Sle\u0144dzi\u0144ski\u2019s artwork, arriving from Los Angeles, \u201cWhich is no lesser in significance and has an intriguing story\u201d.<\/p>\n<p>An exclusive rendezvous with the <em>Priestess<\/em> is still offered to the Gallery\u2019s visitors until 22nd February; starting 3rd March, the painting will be presented as part of the exhibition <em>With\u00a0Heart\u00a0and\u00a0Eyes.\u00a0Wincenty\u00a0Sle\u0144dzi\u0144ski\u00a0(1838\u20131909). <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Priestess by Wincenty Sle\u0144dzi\u0144ski, currently on its first ever public display in Lithuania at the Vilnius Picture Gallery of the Lithuanian National Museum of Art (LNMA), is still available for viewing until 22nd February as one-painting exhibition.\u00a0 The artwork arrived in Lithuania from Poland thanks to the efforts of the art collectors Dominykas \u0160audys [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[197],"tags":[],"department":[80],"class_list":["post-24796","post","type-post","status-publish","format-standard","hentry","category-pranesimas","department-vilnius-picture-gallery"],"acf":[],"_links":{"self":[{"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/posts\/24796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/comments?post=24796"}],"version-history":[{"count":0,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/posts\/24796\/revisions"}],"wp:attachment":[{"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/media?parent=24796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/categories?post=24796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/tags?post=24796"},{"taxonomy":"department","embeddable":true,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/department?post=24796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}