{"id":24660,"date":"2026-01-09T09:38:40","date_gmt":"2026-01-09T07:38:40","guid":{"rendered":"https:\/\/lndm.devmerit.com\/nacionaline-dailes-galerija\/renginiai\/discussion-at-the-national-gallery-of-art-on-the-visualization-of-history-in-photography\/"},"modified":"2026-01-09T09:38:40","modified_gmt":"2026-01-09T07:38:40","slug":"discussion-at-the-national-gallery-of-art-on-the-visualization-of-history-in-photography","status":"publish","type":"renginys","link":"https:\/\/lndm.devmerit.com\/en\/national-gallery-of-art\/events\/discussion-at-the-national-gallery-of-art-on-the-visualization-of-history-in-photography\/","title":{"rendered":"Discussion at the National Gallery of Art: On the visualization of history in photography\u00a0"},"content":{"rendered":"<p><strong><a href=\"https:\/\/lndm.devmerit.com\/wp-content\/uploads\/2026\/01\/NDG_\u0160iaur\u0117_komunikacija_renginiai_FB_event_1929x1005-copy-12-scaled-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-66541 size-large\" src=\"https:\/\/lndm.devmerit.com\/wp-content\/uploads\/2026\/01\/NDG_\u0160iaur\u0117_komunikacija_renginiai_FB_event_1929x1005-copy-12-1024x534-1.jpg\" alt=\"\" width=\"1024\" height=\"534\" \/><\/a>At\u00a06 p.m.,\u00a0Thursday, January\u00a015, the National Gallery of Art of the Lithuanian National\u00a0Museum\u00a0of Art (LNMA) holds a public discussion\u00a0<i>The Visualization of History in Photography<\/i>\u00a0focused on the aspects of photography\u00a0establishing\u00a0the\u00a0medium as a\u00a0shaping\u00a0force\u00a0of our relationship with history and collective memory. The talk,\u00a0moderated by the art critic\u00a0Agn\u0117\u00a0Naru\u0161yt\u0117, will offer the insights on the matter by the photographers\u00a0Georgs\u00a0Avetisjans, Tadas\u00a0Kazakevi\u010dius\u00a0and Claudia\u00a0Heinermann.\u00a0<\/strong><\/p>\n<p><span data-contrast=\"none\">The discussion\u00a0accompanies\u00a0the\u00a0NGA\u00a0exhibition by\u00a0Claudia\u00a0Heinermann\u00a0&#8220;Siberian Exiles &#8211; Baltic Testimonies of Soviet Repression\u201d\u00a0and invites to\u00a0contemplate\u00a0its\u00a0themes\u00a0within a\u00a0broader context of photography.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6}\">\u00a0<\/span><\/p>\n<h6>\u00a0Witness-bearing\u00a0or\u00a0question-posing? Photography in the field of traumatic\u00a0memory\u00a0\u00a0<\/h6>\n<p><span data-contrast=\"none\">The participants\u00a0of the talk\u00a0will explore the ways in which the photographic images of war, genocide,\u00a0violence\u00a0and loss\u00a0can\u00a0transcend the limits of reporting,\u00a0and\u00a0besides\u00a0witnessing\u00a0the events,\u00a0stimulate\u00a0questions\u00a0to be\u00a0pondered upon.\u00a0The art critic\u00a0Agn\u0117\u00a0Naru\u0161yt\u0117\u00a0will moderate the efforts of the assembly of documentary photography\u00a0artists\u00a0to\u00a0navigate\u00a0their\u00a0joint\u00a0reflections towards answers.\u00a0\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:240,&quot;335559739&quot;:240}\">\u00a0<\/span><\/p>\n<div id=\"attachment_66523\" style=\"width: 1034px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/lndm.devmerit.com\/wp-content\/uploads\/2026\/01\/5.-Agn\u0117-Naru\u0161yte.-Nuotraukos-aut.-Indrek-Grigor-scaled-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-66523\" class=\"wp-image-66523 size-large\" src=\"https:\/\/lndm.devmerit.com\/wp-content\/uploads\/2026\/01\/5.-Agn\u0117-Naru\u0161yte.-Nuotraukos-aut.-Indrek-Grigor-1024x683-1.jpg\" alt=\"\" width=\"1024\" height=\"683\" \/><\/a><p id=\"caption-attachment-66523\" class=\"wp-caption-text\">Agn\u0117 Naru\u0161yte. Photo by Indrek Grigor<\/p><\/div>\n<p><span data-contrast=\"none\">The impact of the concepts of history on visual interpretations of traumatic memory will\u00a0emerge\u00a0among the focuses of the discussion, as well\u00a0as\u00a0no less\u00a0trying\u00a0dilemmas of historic truth faced by the artist photographers who delve into the mysteries of the collective memory.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:240,&quot;335559739&quot;:240}\">\u00a0<\/span><\/p>\n<h6>The complexities of history in visual\u00a0photographic\u00a0reflections\u00a0from\u00a0a variety of contexts\u00a0\u00a0<\/h6>\n<div id=\"attachment_66521\" style=\"width: 1034px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/lndm.devmerit.com\/wp-content\/uploads\/2026\/01\/7.-Georgs-Avetisjans.-Nuotraukos-aut.-Krist\u012bna-Ivane.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-66521\" class=\"wp-image-66521 size-large\" src=\"https:\/\/lndm.devmerit.com\/wp-content\/uploads\/2026\/01\/7.-Georgs-Avetisjans.-Nuotraukos-aut.-Krist\u012bna-Ivane.jpg\" alt=\"\" width=\"1024\" height=\"1024\" \/><\/a><p id=\"caption-attachment-66521\" class=\"wp-caption-text\">Georgs Avetisjans. Photo by Krist\u012bna Ivane<\/p><\/div>\n<p><span data-contrast=\"none\">The shared field of historic narrative\u00a0emerging\u00a0in\u00a0the discussion will\u00a0profit from a\u00a0rather diverse\u00a0creative experience\u00a0by\u00a0the\u00a0guest\u00a0photographers.\u00a0The\u00a0<\/span><span data-contrast=\"auto\">Latvian\u00a0artist\u00a0Georgs\u00a0Avetisjans\u202fis\u00a0a\u00a0visual storyteller interested in multi-layered, research-based narratives\u00a0dealing with\u00a0contemporary issues,\u00a0which he tends to\u00a0examine\u00a0in\u00a0terms of\u00a0history\u00a0and ethnography.\u00a0In his practice,\u00a0he\u00a0relies on\u00a0poetic\u00a0imagery and\u00a0metaphor, and\u00a0his\u00a0authentic visual\u00a0strategies\u00a0to poise his subject matter between reality and fiction.\u00a0<\/span><\/p>\n<div id=\"attachment_66520\" style=\"width: 1034px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/lndm.devmerit.com\/wp-content\/uploads\/2026\/01\/8.-Tadas-Kazakevi\u010dius.-Nuotraukos-aut.-Mariam-Abshilava.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-66520\" class=\"wp-image-66520 size-large\" src=\"https:\/\/lndm.devmerit.com\/wp-content\/uploads\/2026\/01\/8.-Tadas-Kazakevi\u010dius.-Nuotraukos-aut.-Mariam-Abshilava.jpg\" alt=\"\" width=\"1024\" height=\"1024\" \/><\/a><p id=\"caption-attachment-66520\" class=\"wp-caption-text\">Tadas Kazakevi\u010dius. Photo by Mariam Abshilava<\/p><\/div>\n<p><span data-contrast=\"none\">Tadas\u00a0Kazakevi\u010dius\u00a0represents\u00a0<\/span><span data-contrast=\"auto\">Lithuanian documentary photography,\u00a0predominantly of\u00a0the humanist trend of candid portraits. Currently he works\u00a0intensely\u00a0on several series, dedicated to portraits in industrial settings,\u00a0the theme of religious faith and\u00a0that\u00a0of\u00a0the\u00a0deportations to Siberia.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:240,&quot;335559739&quot;:240}\">\u00a0<\/span><\/p>\n<div id=\"attachment_66522\" style=\"width: 1034px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/lndm.devmerit.com\/wp-content\/uploads\/2026\/01\/6.-Claudia-Heinermann.-Gintar\u0117s-Grig\u0117nait\u0117s-LNDM-nuotr-scaled-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-66522\" class=\"wp-image-66522 size-large\" src=\"https:\/\/lndm.devmerit.com\/wp-content\/uploads\/2026\/01\/6.-Claudia-Heinermann.-Gintar\u0117s-Grig\u0117nait\u0117s-LNDM-nuotr-1024x683-1.jpg\" alt=\"\" width=\"1024\" height=\"683\" \/><\/a><p id=\"caption-attachment-66522\" class=\"wp-caption-text\">Claudia Heinermann. Photo by Gintar\u0117 Grig\u0117nait\u0117 \/ LNMA<\/p><\/div>\n<p><span data-contrast=\"auto\">The\u00a0latter them\u00a0of\u00a0the deportations to Siberia\u00a0is\u00a0explored\u00a0also by\u00a0<\/span><span data-contrast=\"none\">Claudia\u00a0Heinermann,\u00a0a\u00a0German-born artist,\u00a0who lives and works in the Netherlands. The\u00a0&#8220;Siberian Exiles &#8211; Baltic Testimonies of Soviet Repression\u201d,\u00a0currently on\u00a0view\u00a0at the Lithuanian National Gallery of Art of the LNMA, is a series of photographs that took the artist seven years to produce.\u00a0Claudia\u00a0Heinermann<\/span><span data-contrast=\"auto\">\u00a0dedicates herself\u00a0to the\u00a0long-term documentary projects, dealing with the\u00a0contemporary historic issues such as\u00a0the\u00a0genocide and the aftermath of war. Her photographic projects, in the field of history, have taken the artist to\u00a0Bosnia, Russia, Lithuania, Latvia, Estonia, Belgium, Germany, and Rwanda.<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:240,&quot;335559739&quot;:240}\">\u00a0<\/span><\/p>\n<p><b><span data-contrast=\"auto\">At 12:00 a.m.\u00a0Sunday, January 25,\u00a0<\/span><\/b><span data-contrast=\"auto\">Claudia\u00a0Heinermann\u00a0will give\u00a0a tour of the exhibition\u00a0\u201cSiberian Exiles. Baltic Testimonies of Soviet Repression\u201d,\u00a0introducing, in greater detail, into her long-term creative explorations.\u00a0The\u00a0discussion and the\u00a0tour\u00a0are\u00a0free of charge and will be conducted in English.\u00a0No booking\u00a0required.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559739&quot;:0}\">\u00a0<\/span><\/p>\n<p>Organizer:\u202fLNMA National Gallery of\u00a0Art\u00a0<\/p>\n<p>Initiator and coordinator:\u202fIeva\u00a0Maz\u016brait\u0117-Novickien\u0117\u00a0<\/p>\n<p>The project is funded by\u202fthe Ministry of Culture of the Republic of Lithuania\u00a0<\/p>\n<p>Partners:\u202f Goethe-Institut\u00a0in Lithuania, The Netherlands Embassy to Lithuania\u00a0<\/p>\n<p>Photographing and\/or filming may take place during the events\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At\u00a06 p.m.,\u00a0Thursday, January\u00a015, the National Gallery of Art of the Lithuanian National\u00a0Museum\u00a0of Art (LNMA) holds a public discussion\u00a0The Visualization of History in Photography\u00a0focused on the aspects of photography\u00a0establishing\u00a0the\u00a0medium as a\u00a0shaping\u00a0force\u00a0of our relationship with history and collective memory. The talk,\u00a0moderated by the art critic\u00a0Agn\u0117\u00a0Naru\u0161yt\u0117, will offer the insights on the matter by the photographers\u00a0Georgs\u00a0Avetisjans, Tadas\u00a0Kazakevi\u010dius\u00a0and Claudia\u00a0Heinermann.\u00a0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":24659,"template":"","tags":[],"department":[74],"renginiu-tipas":[26],"renginio-zymos":[],"class_list":["post-24660","renginys","type-renginys","status-publish","has-post-thumbnail","hentry","department-national-gallery-of-art","renginiu-tipas-diskusija"],"acf":[],"_links":{"self":[{"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/renginys\/24660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/renginys"}],"about":[{"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/types\/renginys"}],"author":[{"embeddable":true,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":0,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/renginys\/24660\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/media\/24659"}],"wp:attachment":[{"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/media?parent=24660"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/tags?post=24660"},{"taxonomy":"department","embeddable":true,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/department?post=24660"},{"taxonomy":"renginiu-tipas","embeddable":true,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/renginiu-tipas?post=24660"},{"taxonomy":"renginio-zymos","embeddable":true,"href":"https:\/\/lndm.devmerit.com\/en\/wp-json\/wp\/v2\/renginio-zymos?post=24660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}