Niewiarowicz’s painting is a masterfully executed ambitious interpretation of the prototype. The viewers were, and still are, fascinated by the meticulous drawing, the colours, and the impressive chiaroscuro. With these techniques, the artist managed to create a particularly vivid, carnal image of the saint. Contemporaries noticed it saying that “in other paintings dedicated to Magdalene, one sees only utter repentance, absolute anti-sensuality; in other words, in a skinny and tired face, in the sagging and tortured body, one sees only the soul; while here, there is sin, repentance, uncertainty, power, body, and spirit all in one.” Finally, no less important for the influence and popularity of the painting was its smart display with complementing theatrical and optical illusions that enhanced the glow effect and real-life impression.
In 1844 the Repentant St. Mary Magdalene was exhibited in Vilnius. 178 years later, Niewiarowicz’s painting symbolically “returns” to Vilnius carrying its exceptionally interesting history.
Exhibition will be open until 31 December, 2022.
Organiser – The Lithuanian National Museum of Art
Curator – Joana Vitkutė
Coordinator – Dr Aistė Bimbirytė-Mackevičienė
Exhibition architect – Saulius Valius
Funded by Lithuanian Council for Culture
Exhibition partners: Wroblewski Library of the Lithuanian Academy of Sciences, Lithuanian State Historical Archives, National M.K. Čiurlionis Museum of Art, Dr Jaunius Gumbis.